Hamlet Questions and answers Essay

1.11. What happens when Francisco and Bernardo meet at the posening of 1.1? Where argon we, and when? Why is there confusion all over which one is supposed to challenge the early(a) by postulation Whos there? Why is Horatio with Bernardo and Marcellus? Who is he?They axiom something strange, we are at Denmark. He is asking whos there? It is because hes not sure what is there by judging the shadow he saw and it is at night make the visibility becomes very low as well. Horatio was with Bernardo and Marcellus because they have both seen the ghost of poof critical point, and Horatio has come to help them determine the origin of the ghost.2. What is Horatios initial reception to the story of the apparition? What happens when the ghost appears for the first fourth dimension (1.1.39.1)? Notice that Horatio addresses it as thou. This is the diversity of address used with friends or inferiors. Shakespeares audience would have been frequently more attuned to the difference than we are. What is the effect of Horatios addressing the ghost as thou? When Horatio was first told about the way of the apparition, he was skeptical, Horatio says tis provided our fantasy And will not let belief take hold of him ( 1.1.29).When the ghost was first sighted in the play, Bernardo remarks that the ghost looks similar to the King juncture, and Marcellus causations with Horatio that he should address the ghost. This usage of the backchat thou causes the ghost to exit. Marcellus comments that the ghost was offended, closeing that by Horatio speaking to the ghost of the King with such lack of respect and with demands the ghost left.3. What does Horatio first assume the appearance of the ghost means (1.1.70)? Why are there such intense war preparations in Denmark? (Read 1.1.69-107 carefully to get the international background of the play.) What does Horatio suggest by his discussion of Julius Caesars death (1.1.112 125)? Why does he choose the example of Rome? (You may re search Julius Caesar if necessary.)Horatio initially assumes that the ghost appearance must mean that there is something wrong with the current government, this bodes some strange eruption to our state, and that the appearance is foreshadowing some ominous event that will soon occur. on that point are intense war preparations in Denmark, and Bernardo and Marcellus question Horatio is he knows the reason behind such dos. Horatio responds that there are rumors that the King settlement, who was very elated in manner, was challenged to battle Fortinbras of Norway and did kill the King Fortinbras. Kind Fortinbras forfeited his realm to whoever conquered him, but King Hamlet made a deal and bargained some of the given land to the son of King Fortinbras.The young Fortinbras is uncontrollable with his rage against King Hamlet and Denmark and has been combating the edges of the land with a spirit of adventure , and is set on his attack to regain the lost lands. Denmark is preparing ag gressively for the imminent battle against young Fortinbras of Norway. Horatio is suggesting a connection of Julius Cesars and the fall of Rome, in that he discusses that King Hamlets death will led to the fall of the land. Horatio chooses the example of Rome to emphasize the King Hamlets role in destruction. Both Cesar and King Hamlet are prideful in nature, and have had their pride challenged and their subsequent actions leading to their death. Rome is also known as a grand empire of effectiveness but after the assassination of Julius Cesar, the Roman Republic collapsed and ended.4. What happens when the ghost appears for the second time (1.1.108)? Why does it leave so abruptly? The questions Horatio asks it represent, according to the thought of the time, the reasons why a ghost could appear.When the ghost appears again, Horatio asks the ghost to speak concerning why it had come in the first place and the reason behind such appearances. When the ghost seems to begin to leave aft er Horatio questions it, Bernardo and Marcellus try to stop it by throwing their partisans at the ghost. Marcellus believes that the ghost left because they had angered it when they attempted to force the ghost to speak using violence, but Horatio notes that it was the roster triumph that stopped the ghost from speaking and then leaving.5. What is the purpose of the two discussions of the crowing of the cock, Horatios pagan one and Marcellus Christian one (1.1.130 164)?Horatio tells the others that the rosters crowing awaken a god of daylight and any ghosts who are wandering on the earth are forced to hide until night comes. On the other had Marcellus states that daytime is similar to Christs Resurrection, and that no evil thing can roam the Earth during the sacred and hallowed time. These two different discussions regarding the rooster crowing are symbolic of the overall confusion and determination of the ghost purpose there. Prince Hamlet later questions if the ghost is somethin g of evil origins there to tempt him into committing sins, or if the ghost is however trying to help and warn him, and is a victim of the the daylight gods reign.1.21. What is the threat from young Fortinbras? (ll. 17-41)? How is Claudius responding to the threat? (You may also want to keep in approximation that the name Claudius appears only in the opening layer direction for 1.2. The name is never spoken in the play. He is simply the King.) Throughout his speech, Claudius is telling the salute of the sorrow in losing Hamlet, but in joy in the court accepting the marriage of Claudius to Queen Gertrude.Claudius refers the young Fortinbras of his ignorance in believing that Denmark would be dim after the death of King Hamlet, and though Fortinbras is demanding the lands which were lost by King Fortinbras, Claudius is ignoring those demands.King Claudius is also telling the court about the uncle of the king of Norway, who is weak and downcast and unaware of young Fortinbras acti ons. King Claudius responds to the threat of war from Norway, by sending a message to the uncle of the king of Fortinbras informing him of young Fortinbras mission and in that he is using war supplies from Norways subjects, and to stop young Fortinbras from moving further.2. Based on Claudius first 63 lines in office (1.2.1-62), how would you rate him as a ruler? In what ways does he already differ from Old Hamlet as king? (Consider how Old Hamlet would have responded to YoungFortinbras.)Laertes asks King Claudius if he would let him furnish to France with approval and permission, to which Claudius responds first by asking if Polonius, the father to Laertes, approves. Polonius states that he is reluctantly accepting of Laertes question and Claudius formally gives him permission to return to France. So far Claudius behavior is very different from those spoken about King Hamlets. King Hamlet was said to have been very prideful and warlike in his actions, while Claudius is taking a mo re diplomatically aggressive reaction.Claudius is avoiding physical confrontation with young Fortinbras and is instead implementing the uncle of King Fortinbras to take action to avoid war. This reaction shows the amount of research done and clear thoughts dedicated to how to react to the threat of young Fortinbras without battle that could be destructive. King Hamlet in all likelihood wouldve reacted pridefully by force. Young Fortinbras is basically challenging Denmark to fight, which is how King Hamlet was brought to battle in the first place.3. What do Claudius and Gertrude want Hamlet to do that he doesnt want to do? Why wont they let him do it? How does he respond to them? How do they respond to the way he responds to them? (Research the three known people associated with the University of Wittenberg in Germany Martin Luther, Doctor Faustus, and Hamlet. Can you see any connections among the three?) Claudius and Gertrude want Hamlet to stay in Elsinore instead of going back t o the University in Wittenberg, and in response he said, forcibly, i shall in all my best, obey you, madame, and only responds to his mother.This choice in response displays the amount of anger and repressed emotions Hamlet has against Claudius, and not excluding Gertrude. Claudius responds to Hamlets reply by pronouncing how loving and joyfully kind Hamlet is and that they should go to celebrate their marriage with a feast in celebration. Martin Luther translated the Bible into German, and created a whole new religion after he separated himself from the Catholic Church. Doctor Faustus, in the play, had discarded the Bible, in favor of books of magic, and forbidden arts. If Hamlet had kaput(p) to this University as well, it is clearly a connection to the separation fromCatholicism and religion, in that Hamlet will begin to question the reason behind the ghost and the motivator of his morality, if religion is no longer needed or believed.4. How seriously do you take Claudius argume nt against Hamlets prolonged mourning (1.2.87-109)? How long has Hamlet been mourning (1.2.138)? (The normal mourning period of a noble or gentle woman for a dead husband at this time ca. 1600 was a year or more.) Claudius argument with Hamlet regarding Hamlets prolonged mourning seems ridiculous. Queen Gertrude has also regarded Hamlets mourning to be to a fault long and asks why he felt such a personal connection to the death of his father. According to the time period, the mourning period was so juvenile in relation to the year long usually seen, in that King Hamlet had died only months ago.Read notes on The Wheel of Fortune. Also, consider what you have intimate in ENG3U about The Great Chain of Being. Finally, consider what you have learned about archetypes of literature. Now consider 5. 5. How might the death of the King and the remarriage of the Queen to Claudius have-to doe with Hamlets image of the ideal mother and father archetypes? In other words, what does he come to a realization about at this stage in his journey?It will causes him think that the relationship between mother and father can be easily established by keep ever-changing of marriage, he shows that all the years of relationships between with his father and mother change and there may no true love at all form each other as well.6. Read Hamlets first soliloquy (1.2.129-59) carefully. What is it that is really bothering him about what has happened since his fathers death? How would you describe the tactual sensation of his feelings detached, impassioned, rational, ironic, or what?It seems that Hamlet is more confused than angry from his soliloquy. He has been raised in Catholicism and expects the reaction to the marriage of his uncle and mother to be as hated and disgusting throughout society, butnotices how he is alone in his reaction. The double relation, uncle and father, is seen as incestuous and wrong, but he still is unable to know how to well act towards the marriage. Througho ut the soliloquy it is clear that Hamlet is more upset from his mother marrying his uncle, than his fathers death, but uses his father death to give him reason for being so upset and betrayed. 7. Concept Consideration New HistoricismRead the following except about religious beliefs of the time from Jungs Advice to the Players The shock of Horatios news brings him Hamlet, quite naturally, somewhat out of his despondency. Hope begins to rise once more that perhaps the good father is not completely lost to him. moreover this is hope tempered by fear and confusion from the beginning. Ghosts, for the Elizabethans, fell into two distinct categories for Catholics and Protestants .For Catholics, they were actually souls of the departed, on leave from Purgatory. Protestants, on the other hand, held more conglomerate beliefs, thinking them spirits, usually from hell but occasionally from heaven. They were thus either devils or angels who had assumed the shape of the dead (Portfield 78). Qu estionWhen Horatio tells Hamlet that he saw the ghost, what does Hamlet suspect the about the nature of the ghost and the reason for its appearance (1.2.254-57)? Which religious views does his opinion seem to favour at this point in time?Works CitedPortfield, Sally R. Jungs Advice to the Players A Jungian Reading of Shakespeares Problem Plays. Westport, Connecticut Greenwood Press. 1994. Print.